“Untruth Amplifiers has ruined me, all time Top 10 contender. What a tune!” 

– Kate Bosworth, Dark Train radio show

“Embraces energy and brightness, in contrast to the dark, echoey electronic music we’re accustomed to from him.” – Norman Records

• Released by the respected Castles in Space label
• Best-seller on the Bandcamp homepage
• Released 17 September 2021
• Mastered by renowned artist/producer Dean Honer
• Formats: cassette, download + streams
• YouTube video: https://youtu.be/4rBzh4B8Wnc

“A truly sci-fi world… somewhere between Cabaret Voltaire, Boards of Canada and Pye Corner Audio”

– Hot Salvation

The second album of the Tube-inflected ‘Underground’ duology is darker, grittier and more experimental, inspired by the dark empty spaces between people and machinery.

• Released 12 October 2019
• Mastered by mastering legend Denis Blackham
• Formats: cassette, download + streams

 “When you blend nutritious Vangelis synth, Robert Rich ambience, and cyberpunk elevator muzak, you get what William Gibson must have been shooting for when he wrote Neuromancer.”

– Vice Magazine (Au), Vol. 11 No. 10

A response to the daily commute on London Underground’s deep-level Central Line: escapist atmospheric soundtracks corroded by deafening metal machine sounds.

• Released: 5 November 2013
• Mastered by mastering legend Denis Blackham
• Formats: download + streams

“The most massive thing I’ve heard all year! Absolutely superb.”

– Colin Morrison, Castles in Space label

Castles in Space did a call-out for tracks for a tribute compilation of music inspired by the recently lost Vangelis, in aid of The Trussel Trust. And the final result is astonishing — it’s like Vangelis visited us all in our sleep. Honoured to have my track included.

 “This is absolutely amazing!”

– Fra Brown, Dohnavùr/Werra Foxma label

The renowned electronic duo Dohnavùr did a call-out for remixes of their tracks from their first three LPs. The Dohnavùr Remix Project is a CD compilation included with issue 4 of the Werra Foxma label subscriber’s magazine. Fra from Dohnavùr was full of praise for my dark and dirty remix and the track was given a really positive review in the magazine.

CD on Bandcamp: https://wfrsubclub.bandcamp.com/album/dohnav-r-remix-project



WFR magazine: https://werrafoxmarecords.bandcamp.com/merch/wfr-magazine-issue-4

The Dark Outside did a call-out for one minute tracks for a pair of cassette compilation albums to raise money for the Ukraine Red Cross after the shocking Russian invasion of Ukraine in early 2022.

I imagined the track while driving home from the supermarket one dark night, sang it into an iPhone, and then created it electronically once home in just a few minutes. I have subsequently developed it into a full-length track which was performed live for the Glastonbury Emerging Talent 2023 competition — this new version will appear in the not-too-distant future on my planned fifth LP.

“The synths are charged, loose with the scorching smell of burning electricity and the dirt of the ages” – A Closer Listen

“Definitely a brilliant and promising debut effort which needs our full encouragements. A great discovery, warmly recommended.” – Igloo Magazine

“When you blend nutritious Vangelis synth, Robert Rich ambience, and cyberpunk elevator muzak, you get what William Gibson must have been shooting for when he wrote Neuromancer.” – Vice Magazine (Au), Vol. 11 No. 10

“Rhythmically charged synthesizer music that harks back to the halcyon European electronic music era of the ’70s and early ’80s.” – Textura Magazine

“...the unmistakable presence of a mind thinking outside the square...” – Cyclic Defrost

“Aphex gets a job at the BBC Radiophonic Workshop in the ’80s. In a good way.” – Richard Lord, South China Morning Post

“Some really nice sounds in this” – Stephen Mallinder, Cabaret Voltaire / Creep Show

“Reminds me of the Vangelis ‘Albedo 0.39’ album I mastered back in ’76. I’m enjoying this project.” – Denis Blackham, Skye Mastering

“Proper deep industrial synth electronica... a truly sci-fi world… somewhere between Cabaret Voltaire, Boards of Canada and Pye Corner Audio” – Hot Salvation

“Untruth Amplifiers has ruined me, all time Top 10 contender. What a tune!” – Kate Bosworth, Dark Train radio show

“The sound of Detroit, twinned with Milton Keynes. But on dodgy acid.” – M. J. Bates

“I’ve listened almost exclusively to Ghost Station on a continuous loop over the past couple of weeks. IT’S FRIGGING AMAZING!” – Sacha Sedriks, BBC Radio & Music

P. G. Warren is a British electronic music composer/producer and occasional designer of audio-related digital things, has been played on the BBC Radio 1 Rob da Bank and BBC 6 Music Stuart Maconie's Freak Zone shows, and was part of a BBC R&D team that recreated the early equipment of the BBC Radiophonic Workshop.

Inspired by Delia Derbyshire and the BBC Radiophonic Workshop at an early age, Warren spent his teens making lo-fi industrial music with the help of effects units, tape recorders and MacGyvered electronics, honing his signature style of atmospheric ambience, corroded synthesizers and murky drum machines.

He went on to make a living combining his love of sound and design which eventually lead him to the BBC. During his time in BBC R&D he was part of a team engineering online recreations of the original BBC Radiophonic Workshop equipment, which was showcased at the Ether Festival by invitation of Matthew Herbert.

Re-energised, Warren began producing new works of atmospheric, beat-driven, time-worn electronica using an iPhone on his daily commute. The resulting self-released Ghost Station album was well received. A follow-up, Echo Chambers, continued the trajectory into darker territory.

In 2021 an album called How We Lived was released on cassette by the respected Castles in Space label and quickly became a featured best-seller on the Bandcamp homepage. A new LP is in the works.

Warren continues to push his sound forwards while being inspired by electronic music pioneers from across the decades.

After a few performances earlier in 2023 I have been taking a break from playing live to finish my latest LP. I will be rehearsing for further live performances later in the year. Please get in touch if you’d like to discuss a live appearance, thanks!